Obsessed

Description

Product Description A successful business executive with a beautiful wife, who was once a temp in his office, finds his idyllic life threatened by a new temp who reveals herself as a stalker, forcing Sharon to fight to save her marriage and her life. .com Obsessed is one of those movies best described as “a stylish thriller”: the characters are mostly young and gorgeous, with their white-collar gigs, designer duds, and fancy cars, and if there’s not much of substance to be found beneath those sleek, polished surfaces, well, who says a story must have a message to be entertaining? The comparisons to Fatal Attraction (with its jilted would-be lover going all psycho on the object of her, uh, affections) and Disclosure (with its reverse sexual harassment) are apt enough, but Obsessed is a little different. For starters, unlike the character played by Michael Douglas in Attraction, this film’s Derek Charles (Idris Elba) does little to encourage Lisa Sheridan (Ali Larter), the temp worker at his asset-management firm who gloms onto him like a lamprey sucking on its unwilling host; for another, Derek’s wife, Sharon (Beyonce Knowles), is no wallflower who stands idly and ignorantly by while her life is shredded by her hubby’s evasions and the increasingly crazed tactics of the woman who’s stalking him (it’s to the credit of director Steve Shill and screenwriter David Loughery that nothing whatsoever is made of the fact that Derek is black and Lisa is white). Still, the holes in the plot are big enough to drive several Mercedes sedans through. For one thing, Lisa’s fixation on Derek seems to come out of nowhere (if she has a past, we’re not told about it); what's more, even if Derek has broken his deal with Sharon not to have any female assistants (she was once one herself), it seems mighty extreme for her to kick him out of the house for three months simply for not coming completely clean about his mostly-innocent dealings with Lisa. Still, the film manages to make the viewer feel Derek’s helpless desperation at being targeted by this manipulative nut job, and when Sharon finally confronts her family’s tormentor at the end (“You think you’re crazy? I’ll show you crazy!”), the result is silly but somehow satisfying. --Sam Graham